Portraiture and production stills epitomise what I love about working around highly skilled and interesting people.

Hands feature regularly in my portraits because I think they can be as expressive and revealing as the face. Truly nostalgic production stills require invisibility and a premonition of activity on the set and I am proud to be the stills photographer for Bloody Cuts.

I take a Polaroid camera on my travels and I am inspired by the work of Alexi Lubomirski and Judith Aronson.